Empyrium - Weiland

Empyrium. Weiland. 2002. 4.5 stars.

This was the last, and probably most rewarding, album from Germany’s Empyrium. Their unique neofolk sound remains intact for their final outing, with greater emphasis on atmosphere and dramatic vocal delivery. The haunting German chants, acoustic interludes, piano keys and swelling strings work together in fluid, transcendent compositions, underpinned by swift, subtle drumming. The occasional flute, horn and brass accompaniment is also welcomed and lends many of these songs a certain grandiosity.

Weiland’s sound is full of mystery, nostalgia and catharsis, as delicate guitar passages lead out into orchestral climaxes and back again, laying out emotional processions into the wild unknown. The use of baroque choir-like harmonies (use again recalling the early work of Ulver) is chillingly effective, moving Empyrium closer to their neoclassical aspirations.

Weiland comes across as an almost ancient experience, whether through raspy whispers or a bellowing tenor, evoking some lost connection to a natural spirit. Empyrium’s project is instrumentally complex and riveting and manages to stake its territory at the forefront of the neofolk genre. While their sound is dark and moody, Empyrium manages to play a stable balancing act between delicacy and aggressive release. There may not be any clear standouts on this disc to return to casually, as everything blends together in a cohesive form, demanding full, meditative attention. The power and beauty of this album is well worth the time still. This is evening music with intense, contemplative energy and showcases Empryium at the height of their creative powers.

Empyrium - Die Schwäne Im Schilf

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