Tarkovsky’s Mirror set to Arvo Pärt’s Mirror in the Mirror

Tarkovsky’s images have always had a poetic resonance to them. His most famous sequences are slow, lyrical, symbolic, and can sow melancholia in an instant. The effect of these moments, when coupled with Arvo Pärt, becomes all the more deeper.

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This entry was posted on Tuesday, June 9th, 2009 at 2:51 pm and is filed under Art, Film. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.